From https://image.tmdb.org/t/p/w342/ aTLxAUpDmr16stfiHB7RzznyoiQ.jpg |
Director: Takahiro Omori
Screenplay: Noboru Takagi
(Voice) Cast: Masaya Onosaka (as
Isaac Dian); Sayaka Aoki (as Miria Harvent); Akemi Kanda (as Czeslaw Meyer);
Atsushi Imaruoka as (Dallas Genoard); Chiwa Saito (as Carol); Daisuke Sakaguchi
(as Jacuzzi Splot); Eri Yasui (as Lua Klein); Hiroyuki Yoshino (as Firo
Prochainezo); Keiji Fujiwara (as Ladd Russo); Kinryuu Arimoto (as Szilard
Quates); Marina Inoue (as Eve Genoard); Masakazu Morita (as Claire
"Vino" Stanfield); Mitsuru Miyamoto (as Maiza Avaro); Ryou Hirohashi
(as Chane Laforet); Sanae Kobayashi (as Ennis); Yu Kobayashi (as Nice
Holystone)
Synopsis: Surrounding a select number of years in early thirties
New York and the East Coast of the USA, Baccano!
chronicles an incident involving a train from Chicago to New York called the
Flying Pussyfoot where a massacre takes place, the gangsters, miscreants and
terrorists on the train connecting to other events before and after in time.
From the younger daughter of a wealthy family Eva Genoard searching for her
older brother Dallas, a ruffian who has vanished, to an elixir of immortality
which makes it incredibly difficult for someone to stay dead, everything
connecting to the train incident as a group of journalists try to collect as
much information on this as they can.
Baccano! - Italian for ruckus for anyone who was interested in
knowing what the title means - is a prime example of how a television series
can be inventive just in terms of its structure and how it tells its story. A
Japanese animated series that pays tribute to American gangster films by way of
its own fantastical spin, it throws the viewer into an off-beat world full of
exceptionally colourful characters. Thieves Isaac Dian and Miria Harvent, who
are so blissfully stupid that most people immediately love them on first
meeting. Firo Prochainezo, a young man being introduced into the world of
organised crime by way the older and wiser Maiza Avaro. Ennis, a mysterious
suited woman Firo meets whose existence is conflicted and connected to the
sinister Szilard Quates, an elderly man with malicious intents. Ladd Russo and
his timid fiancée Lua Klein, a sociopath who loves to kill people and decided
to take his men onto the Flying Pussyfoot in white suits to slay the passengers
only to bump into a gang wearing black suits, terrorists who want to hijack the
train to release from jail their leader,
whose mute daughter Chane Laforet is amongst their mission. Czeslaw
Meyer, a young boy who is acts being innocent and naive. Jacuzzi Splot and Nice
Holystone, romantically connected leaders of a pack of good anti-heroes
attempting to steal cargo from the train, and countless other characters
including the Rail Tracer, a legendary monster that haunts the rail lines that
turns out to be real, only seen as a streak of red flash before picking off
figures violently.
From http://media7.fast-torrent.ru/media/files/s1/ qd/hm/shumiha-kriminalnoe-chtivo.jpeg |
The plot could easily become
complicated but a huge advantage to Baccano!
is how carefully structured it is. Instead of a chronicle structure, including
Eva Genoard 's search for her brother and other time periods, including how
characters got onto the train and how some can't even die, the show shuffles
the situations out of order, the end of the train massacre shown in the first
episode but the events within that situation amongst other time periods shown
in more and more detail throughout the series. Based on a light novel series by
Ryōgo Narita, the result is a puzzle
box which expands incidents with greater amounts of information as the story is
deepened. Baccano! is a series that
was clearly planned from the beginning to its end; unfortunately anime series
can be effected by not planning out the endings or issues that can alter a
production as they go along, particularly when the source material hasn't ended
when the adaptation starts, leading new material being written quickly, leading
to shows becoming very erratic as they reach their final episodes, and a lot of
disappointed viewers who are heartbroken by shows they're getting into failing
by their endings. With the show only covering a small arch of the original
light novels that was already completed, Baccano!
is incredibly organised and manages to keep an eye on every little plot point
carefully, playing games with the viewer even on rewatches because of how planned
out its storytelling clearly was.
From https://chinesecartoons.files.wordpress.com/ 2010/12/2007-baccanobd.png |
Bookended by the man who runs the
journalist group, with him discussing in the first episode with a very young
female assistant about who the lead character should be or whether one is
actually needed, the show has no qualms with usurping one's expectations with
events and characters in each episode, dripping feeding the missing parts of
the chronology as it goes along. The show even goes as far as dropping a major
plot conclusion in the opening credits sequence which plays in all the episodes
just to mess with viewers, taking a complicated story and purposely plots it in
a way that's clever when you carefully examine it all. On rewatches,
information still appears in ways in terms of plotting that you didn't expect,
which helps you come to appreciate how economic the show is for such
complicated storytelling, simple and to the point when it covers the
information it needs to. Thankfully the show makes sure one is never confused
as long as you're alert, recapping pieces of information in fact for episodes
which specifically adds more to that plot point, and making sure each time
change has a chapter page of the year its set during every time to make things
easier to follow.
From http://www.imfdb.org/images/thumb/2/24 /Baccano383.jpg/600px-Baccano383.jpg |
It helps as well how memorable
the characters are. Even if some of the names are utterly silly for what are
supposed to be mainly Italian-American or at least American characters -
Jacuzzi Splot and Nice Holystone the most extreme - it helps greatly that
everyone is distinct visually, and in their dialogue and mannerisms. With this
show in fact this is some of the best voice acting from Japanese cast I've
probably heard in a television programme, particularly when you get to the more
flamboyant characters like Ladd Russo (voiced by Keiji Fujiwara) who get some of the most memorable dialogue, the
script for this (if the English subtitles are accurate translations) one of the
best I've also seen for an anime show in terms of having personality and fun to
it alongside the characters' behaviour, its more flamboyant dialogue and
monologue far from the stereotype of exposition and bland dialogue that can
plague other anime but with artistic and funny flourishes to it that gives all
the characters memorable things to say, allowing them to steal scenes from each
other as actors in live action films can.
From http://www.mangas-arigatou.org/forum/attachment.php?aid=4671 |
In terms of subverting
expectations as well, the show does so as well in terms of the viewer's moral
compass. Baccano!, in a warning for
some readers of this, can be gruesomely violent at points especially when you
have characters who can come back from death constantly; moments in the show
are absolutely not for the squeamish, justifying the 18 certificate it has for
UK physical releases and its emphasised by the show getting away with making
its outright sociopaths in the cast charismatic and even likable. For
characters who are absolutely pure - Isaac and Miria more likely to steal the
door off a museum than rob an innocent bystander, or target a bad person in
their childish view of heroics - there's plenty like Ladd Russo himself whose
twisted view of the world manages to make them fascinating even if they are
sadistic to an extreme. One even gets a romantic subplot alongside a skewered
high moral code to enforce this, leading to one of the strangest moments in an
anime, out of a rom-com, where they ask a female character on romantic advise despite
the other having seen them previously cover in gore. The series manages to get
away with this especially as, in terms of the plot, the true villain of the
piece Szilard Quates is shown to be even more evil especially in what he does
throughout the plot.
From http://www.animacity.ru/sites/default/files/anime-frames/1/frame-2_43.jpg |
Technical Details:
Tonally, despite its fantastical
story and absurd characteristics, Baccano!
is depicted as realistically as possible with certain flights of fantasy
allowed. Researched locations of old New York are depicted with realistic
looking character designs populating them, an exaggerated take on American
culture but one that gets the vibe right for classic gangster films right down
to the classy jazz score. The only issue is the visibility of some of the
animation's seems at places, particularly where CGI is used for dimension,
which can be distracting once you notice it, but the rest is beautifully
depicted, fitting the tone with its back alley streets and the claustrophobic
nature of the Flying Pussyfoot train. As well with the complicated plot
structure, the style helps in terms of making sure everyone sticks out as
unique, alongside their personality quirks, and keep the viewer from becoming
confused in terms of where each event that takes place is located.
From http://www.imfdb.org/images/thumb/c/ce/ Baccano453.jpg/600px-Baccano453.jpg |
Abstract Rating (High/Medium/Low/None): Low
Story wise, Baccano! is normal. It's a peculiar take on American gangsters which
brings in fantasy tropes into its plot, going as far back as a few centuries in
the plot for one episode; the kind of genre mixing I can fall in love with
easily, but it's not strange in terms of a plot choice in terms of the overall
tone, fitting its logic and never coming off as strange. What's more
significant is the way this plot is structured, causing it to be extremely
difficult to talk about without spoiling too much but also leads it to having
abstract qualities. The structure leads to a constant shifting in time back and
forth, and even leads to the reality of two different places being compacted
together - Chane's father able to communicate to her telepathically from his
jail cell a far way away - purposely wrong footing viewers as a result as it drip
feeds new details in what you see, replaying scenes from different angles or
purposely clipping parts of them off until later in the episodes. What makes
this style work is that Baccano! makes
sure all its plot points are covered; even if it takes three bonus episodes to
finish it all, introducing the memorably deranged character Graham Specter for
a tiny story, it covers all the main plot points fully in the first thirteen
and uses the straight-to-DVD episodes brilliantly to cover every small detail to
could've lead to plot holes and allows full closure for the world (something
that could benefit quite a few anime television programmes, Kill La Kill (2013-4)
another greater example of a show using one bonus episode to wrap a tiny bow
around everything). Because of this
perfectly made structure, it qualifies as abstract because it's able to
undermine expectations of what a plot should be chronologically with its
unconventional tone and makes it rewarding in its presentation.
From http://i741.photobucket.com/albums/xx53/ AnimeKrys/vlcsnap-3055529-copy-copy1.jpg |
Personal Opinion:
Viewed as a gem of late 2000s
anime, Baccano! is a very rewarding
work. Unconventional even next to a lot of anime series - anime that's western
set and influenced is more of a niche even if Western fans have a habit of
celebrating the best of them - its mix of an unpredictable plot style and its
extreme moments of violence does make it stand out. A lot of why it succeeds as
well is its charisma not only in terms of the characters depicted themselves
but the tone, always even when someone's head gets pushed into moving railway
tracks to have a jaunty, playful style to it able to get away with its
unconventional presentation. Particularly now as the original light novel
series is getting translated into English for release, I hope that the fan base
Baccano! starts to grow over this
next year or so as it's an inventive, even innovative, work that's an absolute
riot to view.
No comments:
Post a Comment