Director: Yernar Nurgaliyev
Screenplay: Zhandos Aibassov,
Yernar Nurgaliyev and Daniyar Soltanbayev
Cast: Daniyar Alshinov as Dastan
(Das), Asel Kaliyeva as Zhanna, Azamat Marklenov as Arman, Yerlan Primbetov as Murat,
Dulyga Akmolda as Tarzan, Almat Sakatov as Kuka, Rustem Zhanyamanov as Petok, Yerkebulan
Daiyrov as Kissyk, Bekaris Akhetov as Buzau
A Night of a Thousand Horror (Movies)
A horror film from Kazakhstan, Sweetie… is unconventional in that it prioritises itself as a comedy first for all its ghoulishness, presenting the worst day possible for poor Das (Daniyar Alshinov). With a TV in the background of the first scene, talking about the sex lives of chimpanzees and that, contrary to the belief fishing is about booze and gills, it is actually an important bonding ritual between men, the film already establishes its humour in the first scene, which is juvenile at times but done with a lot more sense of glee than laziness to it. It is apt for the tale itself, where Das is established in that scene as a stressed out guy.
Expecting a child, a credit card overdue, and a wife he loves but is the stronger voice of the pair, Das is just a guy drifting along, who just decides one day to run off with friends to fish to help sooth this issue. Despite two of them not knowing how to fish, and the van they travel in full of old school inflatable sex dolls, it will be a calming experience for him, and credit to the film, whilst this may have played up to the henpecked husband stereotype, when things go south for him, one of the reoccurring points is how Das is concerned for his wife and expected child. Despite his friends mocking him for being married, Das is clearly concerned about being there for his soon-to-give-birth wife even if he needed the brief break. Things just happen to go south beforehand.
With its deadpan humour, this feels like a crime comedy instead, as they accidentally bump into debt collectors, mostly related brothers, who were after a man they found hiding in a well. Despite the ominous gas station, with a Lenin poster in the back, which just gives off bad vibes, the immediate concern would be accidentally floating pass an accidental murder. It is embarrassing to have done so when you have improvised a floating vessel, attached to the main boat, using the sex dolls, but that you could be killed to hush up the mistaken murder just adds to the insult. Where this does become a horror film is that, within this premise, director and co-writer Yernar Nurgaliyev drops a Jason Voorhees-like slasher film killer into the midst of all this. He is a guy, with one entirely white eye and disfigured face, who wanders out of nowhere in the midst of the countryside, and introduces himself by doing some improvised optician work with a spike, and re-adjusting the human jaw to make the mouth wider.
With the closest thing to a resistance is one of the friends being a school enforcement officer, who is more likely to bolt it, Das finds himself in a farce between the likelihood of his wife given birth with him absent, and this Voorhees figure picking off the debt collectors one-by-one, leaving him and his friends last to pick off. With the debt collectors presuming they are responsible for the deeds as they are always there at the gristly murder scenes, there is an increased threat as well. Add to this the creepy gas station playing a part, as it involves someone being forced to become a husband and sire grandchildren to a grandfather who likes to watch his new grandson and granddaughter through the bedroom door, and for a film with some gruesome demises, it is played more with a sick sense of humour.
It is also a horror comedy which takes advantage of its resources, such as its wide screen presentation, where there is the great sense of isolation in the first two thirds in the middle of nowhere, contrasted by Yernar Nurgaliyev using some really cool visual flourishes. One of the best for me is a scene which extensively uses the camera attached to the actors, focused on their faces with the world moving around them whilst their panicked expressions are visually clear. The choice of music is also wildly varied, from rap to regional classic pop music, and it is used many times for perfect soundtrack cuts for jokes, like classical pop for an attempted hit and run that fails, or a beautiful use of a dream solo timed for a comedy moment of cowardice. The best way to describe Sweetie, You Won't Believe It is that this is the one slasher (adjacent) horror film where a fart nearly gets someone caught, and far from a moment of rolling your eyes at the childish humour, even the dick jokes and juvenile aspects work for the film. Especially with the one emotional current through this broad humour, this works, as Das has his friends calling him out for being a henpecked husband, to only at one point burst and proudly defend his marriage. This one emotional point in what is a purely comedic piece allows it to also be about older male friendship that just happens to have a body count.
Its director Yernar Nurgaliyev is someone who is prolific as well, which makes me delight in the film greater knowing this is not someone who was never able to make another film. He is someone whose career mostly is likely not getting picked up in the West sadly, as a figure who can juggle comedies and dramas in a clear willingly to make films for their own sake, but the one here which managed to catch attention did deserve it. It is obvious why, as beyond the nice sense of having a horror film from Kazakhstan which I would gladly revisit for its virtues, to add to the pin board of the genre from around the world, it clearly took distributors' interests for its nice plate spinning act of being as goofy as it is, with a distinct take on horror tropes, which everyone clearly did their best to make as good a film they wished it to be.
